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“Reality” is not truth. By changing the images of nature I seek to slow down the instantaneity of photography, both in its production and in its reception. This results in a meditative image that reflects my own observation and memory of the place. By drawing and painting on the film I engage photography in a dialogue of photographic technology and the “timelessness” of nature.
It is my reaction to the barrage of media images and a desire to slow down and observe the landscape and its subjective effect on consciousness. That effect returns as personal memory. One remembers how a place felt rather than seen. The photographs capture and record the ephemeral, the fleeting subjective appearance of nature and the ever-changing landscape of our memory.